The first installment of ADLaM's three part series.
This installment is a development of a brief history of Alphabetic writing, why it is important to the ADLaM story, and how modern calligraphy played a part in leading up to the initial meeting with Ibrahim Barry, one of the creators of the ADLaM alphabet.Setting the stage: Lettering Arts and Calligraphy today
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| Lisa Engelbrecht - Masthead for The Society for Calligraphy, Los Angeles CA |
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| Randall M. Hasson - Lettering Demo with Brush on Canvas Board |
On an annual basis, Lettering Artists from around the world with a variety of skill levels come together to participate in an International Lettering Arts Conference. Traditionally held at a College or University in the summer, these conferences provide a venue that allows for an even more participatory “conversation” around the use, adaptation and innovation in the area of Lettering Arts and letter development. Some of the finest lettering artists around the world come to teach these workshops and provide lectures. Classes range from learning to write traditional styles of alphabet to the abstraction of writing and the incorporation of text into a wider application of artwork including traditional letter formation, layout and design, painting, journaling, bookmaking, gilding and type design. Some of the best of these classes can be transformative for participants, and the evening lectures add to the insight and excitement of what is happening in the greater world of Letters.
It was at the 2013 International Lettering Arts Conference in Colorado Springs that I was privileged to be asked to give a talk about two brothers from western Africa who began using an alphabet to change a culture. This is the story of how that came about.

