Ross F. George's monogram "Bug" - screened onto his steamer trunk, now in Sue George Yourkowski's home |
I am extremely excited to formally announce that I am nearing the production phase of a new book about William H. Gordon and Ross F. George, inventors of the Speedball line of lettering pens. Publishing agreements have been worked out, the contracts have been signed, and the bulk of the research and writing have been done. Over the coming months I will be privileged to work with a top designer, editor and publisher on the updating, revision, editing and design of a book that promises to be one of the most important projects of my days on this earth.
The reasons why things happen have always fascinated
me. Ross F. George was a lettering artist born into a particular type of world
in a particular age that affected his attitudes, goals, desires and means.
Putting his history into a context that explains what was happening around him
both locally and from a global perspective seems vital to understanding not
only how, but why the Speedball history came to be.
A patent filed in 1922 improving on the original 1914 Speedball Design |
In the early 1900’s, Ross F.
George and William Hugh Gordon invented the Speedball Pen, a tool that played a
revolutionary part in commercial lettering in the 20th century. Both
Gordon and George, to date, have been enigmatic in history. While both have
written books, little has been written or really is known today about their
lives. For Ross George, even the best histories that have been written, such as
those by nationally recognized sign-man and designer Mark Oatis[i] and more
recently by Seattle historian Peter Blecha[ii], are extremely
enlightening but are also only able to provide an incomplete outline of his
life and work. Seattle native and renowned
graphic designer Art Chantry complains that there is frustratingly incomplete
information about George’s life and his role in the lettering culture which led
to the invention of the Speedball pen[iii]. Up until
now, the information simply wasn’t there to be found.
When I was asked to be the
editor of the Centennial Edition of The Speedball Textbook, I was extremely
interested in finding out more about this history. Through friend and lettering
colleague Carl Rohrs, I was able to contact sign-man Lee Littlewood in Portland
OR, who had recently purchased an original artifact of a Ross George show card
display. Through Lee in turn, I was able
to contact his antique dealer who kindly passed my information on to Ross
George’s granddaughter.
Sue George Yourkowski, was
the family member responsible for clearing the estate of her aunt Frances
George, Ross’ daughter, in 2011. During Frances Georges’ lifetime, when Sue
would visit she would ask: “Aunt Frances, can I see some of grandfather’s
stuff? Just his pens or something? Each time she received a reply to the effect
of “no dear, they’re really not easy to get to”.
In the basement of the Seattle
home, Sue Yourkowski spent 6 weeks going through material and deciding what to
dispose of and what to keep. Frances George was an accomplished musical
vocalist, and the basement was piled high with sheet music, newspaper clippings
and memorabilia. Stacks of it. Piled high. Covering tables and shelves,
spilling over onto the floor and kept in file boxes. So much so that it was
virtually impossible to walk from the entrance to the basement to the other
side. While one might hesitate to use the word hoarder, it would be safe to say
that Frances was loathe to throw anything out.
In a scene that could have
come right out of a movie, Sue woke up one morning with a presentiment and
visualization of exactly where her grandfather’s box of pens lie in the basement.
The next day she went to the house, spent almost half a day clearing a path, and reached the corner that she had
seen in her dream. There she found the pens. There was his apron, paint smeared
and untouched just as he had left it the last time he used it. And, as she
continued to clear the stacks of papers, Mrs. Yourkowski found the archives of
Ross George’s work. Inside his drawing
table and stacked on it’s surface. Original lettering. Show cards and shop
samples, alphabet exemplars, prototypes of copybooks, and samples of early
Speedball Textbooks. There were 14 X 18” cards and 2 albums full of beautiful
Art Nouveau patterns and designs executed in pen and ink and watercolors. She
found dozens of cards with original lettering, alphabets touched up for
reproduction or pasted up in layout form with notes and page numbers – the
original work that appeared in the textbooks themselves from as early as 1918. All
of it kept in pristine condition because of all the music sheets and paper
stacked on top of it. God bless Frances George.
Perhaps even more important
were the personal archives. Birth certificates, marriage certificates,
newspaper clippings and copies of articles written about Ross George. There
were family photo albums complete with grandparents, parents, siblings and
other family members dating back to the late 1800’s, photo albums of Ross’s
time with The Mountaineers in
Seattle, and photo albums that contained pictures of the early sign shops
complete with partners and colleagues from the show card era of the early 1900’s.
Notes written on the pages next to these photos identified such people, places
and events as “first ever show card done with a Speedball Pen” or “Shop 2,
1914”. Ross’ wife Eva had kept a personal account book of all his inventions
and patents, with business and family expenses and income; that book was there.
And most importantly, there were personal typed documents and specific articles
telling the story of the Speedball pen and how it was invented.
Mrs Yourkowski was kind
enough to allow me to come and spend time at her home, interviewing her and
creating a digital archive of the work that spawned a textbook that became a
part of the fabric of American lettering in the 20th century. From this base I have been able to find and follow the
ensuing rabbit trails that have led to over 50 articles written by William Hugh
Gordon and later Ross F. George. This material has provided clarification and
confirmation in the case of Ross George, and vial clues that have led to a path
to research into the life of William Gordon.
Perhaps at last we can get a
little glimpse into the life of William Gordon and Ross George, men from an era
when American invention and innovation was prevalent. They created a pen that solved a problem
that created a following that has lasted a century, continuing into the 21st
century with the updated 24th “Centennial” edition of his
Speedball Textbook.
Over the coming months I will be privileged to work with Designer, art director and editor Norman Hathaway and publisher Rob Saunders of the Letterform Archive to bring the story of Gordon and George and the invention of the Speedball pen into book form. The first ten chapters have been already written and there are a few more to go, but we are well on our way to a deadline of December 2016 with publication expected in 2018. Please stay tuned for more details as the process continues!
[i] Oatis,
M. (n.d.). Ross F. George (C. Rohrs, Ed.). Alphabet: The Journal of the
Friends of Calligraphy, 17(2), 2-13.
[ii] Blecha,
P. (2014, November 20). Ross F. George and William Hugh Gordon submit a patent
application for their new ink "Lettering Pen" on October 22, 1914.
Retrieved June 2, 2015, from
http://www.historylink.org/index.cfm?DisplayPage=output.cfm&file_id=10944
[iii] Chantry,
A., & Rochester, M. (2015). Ross F. George: Typographic Man of Mystery. In Art
Chantry speaks: A heretic's history of 20th century graphic design. Port
Townsend, WA: Feral House.